Eszter Balint
Mud
   
 
 
 
new sound waves
Fiona Apple Extraordinary Machine
> Liz Phair
Somebody's Miracle
> Sheryl Crow
Wildflower
> Bjork - Army of Me Remixes and Covers
 
coming soon
Cat Power - The Greatest
January 24, 2005
> Kate Bush - Aerial
October 24, 2005
 
 
   
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Authors of Beautiful Pain:

 

Allie/RockMistress
Kristy
wailfulrhyme
Sleepy

ruth1998

 Other music blogs:

 

Vintage Rock
Molly Knight
WomenFolk

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est. august 19, 2004

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Tori Amos
(Just Some Of...)
The Best Of the Original Sinsuality Tour

Blood Roses  (4.17.05 Dallas, TX)
Sweet The Sting  (4.8.05 NYC)
Liquid Diamonds  (5.18.05 Melbourne, Aus)
Space Dog  (4.12.05 Boston, MA)
Doughnut Song  (4.25.05 Los Angeles, CA)
Spring Haze  (4.10.05 Hartford, CT)

 

 

   
Monday, November 15, 2004
 
Tori is back at it again!


MUSIC NEWS

I got this in my email the other day... Let's just say I'm a very excited girl! Yay Tori! :)

 

Tori Amos in her studio

This February Tori Amos will unveil two exciting projects -- a new CD entitled The Beekeeper (in stores February 22) and her first book, Tori Amos: Piece by Piece, co-written with journalist Ann Powers.

Currently, Tori is putting the finishing touches on The Beekeeper, which she's recording and self-producing in her UK studio Martian Engineering. On songs like "Sweet the Sting," "Sleeps with Butterflies," and "Ribbons Undone," Tori incorporates vintage organs, Afro-Cuban drums and Gospel choirs, working once again with longtime partners, drummer Matt Chamberlain and bassist Jon Evans.

"The Beekeeper is musically inspired by the fact that the piano has realized that she has an organ - with my right hand on her organ and my left hand on her piano keys, I have been changed by the relationship between these two beautiful creatures, the Bosendorfer piano and the B3 Hammond organ."

In the book Tori Amos: Piece by Piece co-penned with writer Ann Powers, the usually private Tori gives a rare inside look into many intimacies of her life as both a private individual and a very public performing musician. The book, published by Broadway Books (a division of Random House), will be released on February 8th. On Thursday, February 24, Tori and Ann will make a special appearance at the 92nd Street Y in New York City.


Enjoy!


sung to open ears at 09:56 pm by RockMistress
9 comments  




Friday, November 12, 2004
 
but I think I see her smiling


 

 

No, I didn’t take this picture...

Good lord, the PJ Harvey concert was more than two weeks ago and I haven’t even been on here to tell ya about it! So, I’ll tell you about it...

 

It fuckin’ rocked!

 

I swear, I know a few bands who could afford to take a some rock lessons from Miss Polly, she really knows how to get the job done. The concert was at the Wiltern LG in Los Angeles. I’d never been there before, but luckily my friend Francesca lives a few miles away so she knew where to go. I’m also glad she likes Indie Rock and PJ, because I seriously didn’t have anyone else to go with! But anyway, the Wiltern is beautiful. It’s an old theatre with this carved wooden sun thing on the ceiling... it was quite majestic. I really felt like I was going to a show and not just another concert. And it really was a show!

 

I don’t know who the opening act was, but, man, was he a trip! He came out with his acoustic guitar singing and playing all by himself. He was pretty Indie with some experimental stuff thrown in. It was strange because he’d start off well, some cool guitar arrangement, and then all of a sudden he’d change chords and do some weird interlude and it just threw off the whole song. I couldn’t really take him seriously because he was just so strange! Francesca was laughing the whole time. Then this other guy named Josh (who we later learned was Polly’s lead guitarist/back-up drummer) came out and played drums for him. Those songs were pretty cool, I gotta admit, but I was watching Josh the drummer the whole time! He was cute!

 

So then Polly came out and we almost literally had our asses handed to us. She was incredible! Poor thing was having audio problems or something because she kept messing with the amps and pedals. She opened with “Cat On The Wall”, which I had on here for awhile. I was going to try and remember the songs she did but because I didn’t write them down I don’t remember all of them. But let me see... these aren’t in order, by the way... Shame, The Letter, A Perfect Day Elise (Polly on guitar), The Whores Hustle and the Hustlers Whore, Victory, Who the Fuck (everyone was singing), Water... ah, I don’t remember. I knew all but two songs. She played guitar a few of the songs, but the rest of the time she was dancing around and making love to the audience. She’s a quirky little thing on stage! For one song, I wish I could remember which one it was, Josh was on one drum set and her main drummer was on another set... you should have heard how amazing that sounded! They played the same thing for most of the song, and I was amazed at how well-synced they were. I was so impressed at how good her vocals sounded. She’s a seasoned professional. She can scream at the the top of her lungs and still sound beautiful. The break before her encore lasted forever! It was driving me nuts! Everyone kept cheering and clapping but I could tell they were getting a little tired of screaming. So, finally she came back out and did a five or six song encore – it was more of a second act, but hey, the more songs the better, right? If I remember right, Water was her final song. I didn’t want her to go away!

 

So, if you ever get the opportunity to see Polly live, go see her. Seriously. You won’t regret it, but you might regret passing up the chance...!


Oh, and I swear I'll have some new PJ songs on here by the weekend! :)


sung to open ears at 03:00 am by RockMistress
7 comments  




Thursday, October 14, 2004
 
it feels like it's been forever...


Hey all! Sorry to have abanoned you there for a while. I don’t have much time to write anything since I really should be finishing my assignment for my screenwriting class, but I wanted to but some new music up on here. I’m gonna get to see Miss Polly (PJ Harvey, that is) the day before my birthday at the Wiltern, so I thought I’d put a bit of her on here.

 

Poor Kristy’s been waiting for ages for the chance to send me Patty Smith files... so sorry for the wait! I set you up so you can upload the music – put in as many files as will fit and I’ll take care of the rest when I finally get the chance.

 

I am so impressed at the amount of hits this site has gotten! It’s so exciting! I hope I can have more time to keep this blog going so you regulars won’t go away!

 

Later!


sung to open ears at 04:42 pm by RockMistress
2 comments  




Tuesday, October 05, 2004
 
new music


MUSIC NEWS

...And it happens to be Tuesday! Yes!

Sooo...  Here's some new music that came out in the last while or perhaps even today.  And here's a toast to finally having a new entry!

 

Sarah Slean

Sarah Slean's new album Day One came out last Tuesday, September 28th.  It features Toronto's Kurt Swinghammer on guitar for about half the tracks on the album along with Howie Beck who is also from Toronto and Ian D'Sa (Billy Talent guitarist).  The album was produced by Pete Prilsnek (Sarah Harmer) and Dan Kurtz (The New Deal).  The song Day One is currently being featured on her website along with several others off of her older albums.

Tegan and Sara came out with a new album on Tuesday, September 14th called So Jealous which seems to be doing really well here in Canada.  So Jealous was produced by John Collins, David Carswell, Howard Redekopp along with themselves.  Tracks from the album and others are currently being featured on their website.


 Po' Girl's Allison Russell

Po' Girl finally released a new album called Vagabond Lullabies which features great talent like Rae Spoon and Carolyn Mark. You can hear 1 minutes samples on their website with lyrics. I haven't found the funds to go buy it yet unfortunately. Although I heard a majority of the tracks from their show I went to in August and I can tell you it's well worth the money if you're into folk. The singers in this group have talented voices. I get goosebumps everytime I hear Allison Russell's voice. Just everyone in the group is so talented.

Well... That's all I know for now. I know I missed many but I gotta head-off to bed. If anyone has anymore new music news, feel free to share in the comments section.


Oh yeah...  And I know this doesn't really have to do with women in rock, but the Garden State Soundtrack kicks major ass!

sung to open ears at 01:21 am by wailfulrhyme
2 comments  




Thursday, September 16, 2004
 
maybe I'm the afterglow, 'cause I'm with the band, you know


Hello fellow rock lovers! I apologize for the snooze mode this blog has been in for the last week. Who knew life could be so demanding?

 

Anyway, once Kristy and I can meet online, she'll be sending me Patti Smith music so Patti can be our next feature artist. We're all very excited to get her up here.

 

I've got an idea: I think it would be very cool if we could give you guys the chance to get involved with this blog. First, I don't really have the time to search for music news, so if any of you have any music information, don't hesitate to email me though the contact form to submit any info or ramblings about music and everything related. And if you've been inspired to go and buy any of the albums that we feature or talk about, let us know! We wanna know what you have to say!

 

Also, the two random music files that I feature on this blog are from my own personal collection, so it's rather limited because I can't afford to buy all the music that I want - art supplies for school are taking their toll on my wallet. Many of you have suggested artists in thesuggestion box suggestion box, but I can't feature them because I don't have their music! So if you have any music files that you'd like to submit, contact me and we'll get you set up so we can get your music on here! Wouldn't that be fun? I think so!

 

Take care and rock on, and be on the lookout for Patti Smith!

 

-allie


sung to open ears at 05:03 pm by RockMistress
2 comments  




Tuesday, September 07, 2004
 
please step AWAY from the radio


Within the last year or so, I have just about boycotted my radio because, frankly, commercial radio bugs the hell out of me. My new love is my Real Rhapsody program which I will continue to promote until you purchase the program yourself! Seriously, I love this thing.

 

Anyway, during my search for music news, I stumbled upon a website called Indie911. It’s a website that promotes Indie artists and allows artists to promote themselves by making updates or something. I’m not quite sure how it all works because I just discovered it like 30 minutes ago, but the time I did spend looking around the site was well worth it. There are a ton of artists on there with music samples and website links and a way to leave comments for the particular artists. So if you’re looking for new music, Indie911 is definitely a place to look!

 

Have fun!


Edit:  I also thought I'd share this link to ZeD because it's basically the same thing only it includes all forms of art, not just music.  I suggest you take a look.  Especially if you're interested in becoming a fellow ZeDdite, I suggest you join and upload your work to the site where you'll gain a lot of attention!  You might possibly be featured in ZeD's weekly newsletter or even on ZeDtv which airs on CBC (Canadian Broadcasting Company) every weeknight.


A couple of my fellow ZeDdites include Miss Ginger (whom you might recognize from the Blogdrive favourites list) and Chandra Sutra.

-wailfulrhyme


sung to open ears at 04:22 pm by RockMistress
7 comments  




Monday, September 06, 2004
 
girly raging indie


My interest in music took off when I was about nine years old.  I can remember some of the first bands I was exposed to being The Red Hot Chili Peppers, Offspring, Julianna Hatfield, Pearl Jam, Green Day, Bush and the list goes on.  But the first band that really caught my attention were Canadian rockers, Our Lady Peace.  That was around the time that the Backstreet Boys had come out.  So instead of having a crush on Brian, or even Nick it was OLP vocalist Raine Maida.

Until the last few years, or after their new guitarist and new release of the album Gravity which had finally gained them more success in the U.S. with their single Somewhere Out There my likeness for the band had dropped to a normal level.  Not that I hadn't enjoyed that album.  It just didn't feel the same anymore; nor should it have.

I don't really hold personal favorites anymore nor keep lists of what I like as I have music that I like and I know what I want to listen to when I'm in a certain mood (I'm sure it's like that for everyone).

I really don't know what else to say for my musical biography besides listing off a bunch of artists I like.  It was just something I happened across and ever since it's becoming the one thing I know best.  I live music.

But I'll get a little more personal now.

Like most people (at the time), I exposed myself to music through tv, radio and magazine.  But I grew-up on a farm and we didn't have cable so it was hard to expose yourself to decent magazines since the drug-stores only stocked-up with the popular music/gossip magazines that suck.  And if you wanted to buy someone's cd it was almost impossible since there weren't any music stores and the local drugstore only had stuff from the people featured on the cover of those same shitty ("Teenbeat") magazines they had on display.  There was only one fm radio station that didn't play country music which barely even came in cuz it was located in a small city 2 hours from where I lived.

It played a lot of the popular stuff and it also played a lot of Canadian music...  I guess the popular stuff in Canada.  Thus my likeness for Canadian music began just waiting to evolve.  I spent hours in my room listening to the music from that radio station and ocassionally wrote.

Anyways, I spent a lot of time in my room which can be pretty unhealthy but it was a great way to ignore my father.  Both of my parents were and are victims of depression so I didn't spend a lot of time with them for obvious reasons.  They basically fed and clothed me and the rest I had to figure out on my own (which I mostly learned through music, books/magazines, friends).  I even remember I learnt about sex from the guy I rode the bus to school with everyday but we also shared a common interest in music.  This was also after my grandmother passed-away so I didn't go into town as often anymore.  All my close friends lived in town or would be on holidays as well.  When I saw them, it was usually because I was in town visiting my grandmother.  You have to learn to get used to solitude when you live on a farm.  Well...  Definitely, if you're a girl, that is.

It's kind of like Of Mice and Men.  You know, the whole reasoning behind the actions of the woman who was killed...  Which reminds me that I have to go pick up East of Eden from the library by next week.

Anyways, back to the music.  My friends' tastes in music hadn't really influenced me much at all.  It was mostly my older sister's tastes that had influenced me since she had all the cd's (which she had bought through Columbia House).  Then not too long later we got a satellite dish where Canadian music video stations Much Music and eventually Much More Music came into the picture which was mostly responsible for what I liked.  I threw away my radio.

Then Britney Spears came along with a whole rush of other annoying pop artists and I just stopped watching tv altogether.  So back to listening to music in my bedroom.  In the summer of 2000 I went to Saskatoon to go to the Summersault concert which turned me onto a Canadian magazine that was sponsering: Chart, which is quite popular in Eastern Canada.  It featured a lot of well-known artists but provided information on Indie music as well which turned my curiosity-level even higher and is responsible for getting me to go out and buy Luke Doucet, Hawksley Workman and Ani DiFranco cds.

I took a lot of trips to the city that I now live in.  Everytime my parents went to here for their appointments with their psychologist, I tagged along so I could visit my sister at the university and stock-up on cd's to listen to for the next 1-2 months until their next appointment.  My taste in music had evolved into my own and it was my sister borrowing cd's from me instead.

So I guess now I'm at the pre-9/11 period which was when I moved-out of my parents' house at the age of 13 and came here, Regina.  This was right after I had started listening to Ani DiFranco and Hawksley Workman.  I remember I bought $400 worth of cd's that summer.  Most of them were Ani DiFranco and I had also bought the first 2 (which were the only ones at the time) Hawksley Workman cd's.  I guess I hadn't really fully understood Workman's lyrics yet and I just thought it was really wierd.  I definitely enjoyed the guitar riffs though.  It was what inspired me to learn the electric guitar, which I still play today.

Although I wish I had started with the acoustic guitar (if you start on electric it's harder to go back and play acoustic) instead because it was Hawksley Workman and Ani DiFranco which started my love for folk music.  The shiny purpleness of my Fender Telecaster was too much though and I chose it over the acoustic...  Plus both of my friends played electric...  Ahh, yes, the lovely peer pressure that is oh so much stronger when you move to a new place and experience a new way of living.

2001 was a big year for me.  It was also the time that Community Radio (CJTR) had finally come to Regina.  I remember that on the very first day of broadcast I was home alone, pissed-off, (probably at my sister) laying on the scratchy old plaid couch and a cover of Gin and Juice by the Gourds came on.  And my sister came home in the middle of it singing-along cuz she had heard it in the car.  It was also her birthday that day.  I remember it being a really shitty day and then we went out to celebrate her birthday and it was all good again.  We also did a dash-and-dine that night.  Not cuz we didn't have any money but because the restaurant was empty yet the waiter sat and ignored us while we waited to pay.  It wasn't actually planned.

Anyways, 2001-2002 school year was what raised my attention to art but mostly books.  I began reading more so I could impress my hot grade-eight teacher.  It's all in my "reading journal."  I still have it too.  I've somehow managed not to burn it cuz I know it's in a box somewhere but it'd be a waste of time to look for it just so I could burn it.

I don't really know what else to say.  My music tastes keep evolving.  There's not one genre I like more than the other.  I'm open about any kind of music.  I generally don't even find anything wrong with country music...  The old stuff anyways.  It's not really something I listen to regularily but I don't hold biases in my taste of music.  You won't catch me paying much attention to stations like CMT.

I also enjoy classical music but it's mostly something I use to try and sleep or just plain relax.

I don't really read Chart magazine anymore.  I hear they've mostly focused on the big bands which help them sell more copies.  I mostly read the local magazines/newspapers and online articles and blogs now.

But if you asked me what kind of music I listened to, I really wouldn't be able to provide you with an answer.  I'm not sure.  It's more like asking me what my mood is.  And most of the time I'll just say rock/alternative because that's the only answer people here really know or expect.  If you said anything else no one could really understand.  They'd probably think you're nuts or have lousy taste.  Or if you said anything else most people wouldn't really listen or care.  But then, it's dumb to make generalizations like that but that's what it's been like when most people ask me that question.  Lately I've been feeling folky so I guess that makes me a folky-girl.  More than anything, I'm a girly raging indie, I guess.

So if you've assumed I'm just into one thing--and for most people, they assume I listen to rock/alternative cuz I play electric guitar--I'll probably just nod and agree.  I think the whole question is just stupid anyways.  I tend to believe that the people who restrict themselves to just one genre are ignorant.

So that's it for my music biography, I think.  I'm sure I could add a lot more if I wanted to.  I guess I wrote quite a bit and most of it might seem quite unnecessary but believe it or not, this is the shorter version.  Ahh well...  That's my music biography.

wailfulrhyme

sung to open ears at 04:18 pm by wailfulrhyme
1 comment  




Thursday, September 02, 2004
 
one powerful cat


I’ve spent the better part of today trying to decide who to feature next. I was very happy that Wails decided to feature Serena Ryder because I hadn’t heard of her and I think she’s got a great voice. So instead of doing Tori or Liz or Bjork, I decided to follow Serena with an Indie/Lo-Fi/folk artist. And that artist is Cat Power! I literally just started listening to her a month ago, and I got her latest album You Are Free in the mail yesterday! I’ve heard all of her material through RealRhapsody (I highly recommend this program – it has changed my life. I no longer have a need for my radio at all). I would have preferred to start you off with Moon Pix, a more rock-y album, but I don’t have any music to put up from that album, but You Are Free is equally great.


 

   

She is Cat Power, otherwise known as Chan Marshall (pronounced Shaun). Honestly, I don’t know too much about her, except that she’s got an amazing voice and makes very cool music. She came into the Indie & Lo-Fi scene in 1996, releasing both Myra Lee and What Would the Community Think that year. She’s worked with members of Sonic Youth and Two Dollar Guitar, and Eddie Vedder of Peal Jam contributes to this record, You Are Free. She dropped out of high school and still managed to have a successful career and create beautiful music. No, it’s not ironic, just an interesting fact (ahem, parents!).
 
The noise she makes varies intensely. It’s a bit Indie, it’s a bit folk, it’s a bit alternative. This album thrives in the simplicity of itself. Sparse guitars, violins and piano pieces seem to float through the songs as her voice layers on top of the music. Songs like “Speak For Me” and “Fool” use several vocal tracks, displaying her deep and wholesome voice underneath a layer of lighter vocals. It almost sounds like two different singers – she definitely knows how to harmonize. It's one thing to write a set of vocals, but another to write a second set of vocals that works beautifully with the first layer and also independently.
 
I first heard her after I’d checked out Liz Phair on RealRhapsody. Next to Liz was a list of her contemporaries and Cat Power was one of them, not to say that she's anything like Liz Phair. I’m not sure what song I heard first, but once I heard that incredible voice and those cool guitar tracks I was instantly hooked. She’s obviously on the opposite end from Auf der Maur, the artist I featured earlier, but that’s why I like her. Sometimes loud music is just too noisy. But because Cat Power is quieter, it doesn’t mean that she’s easier to listen to. It’s a different kind of soft. Someone like my younger sister would say that Cat Power is “boring”, but take the time to listen and you’ll see there’s a lot of beauty, creativity and lyrical density there. She doesn't need power chords to make her point.
 
She’s captured me in the way she moves from a deep ballad-type song like “Good Woman” to “He War”, a song you’ll be tapping both hands on the steering wheel to. It's rock at it’s purest. Take Bob Dylan or Cat Stevens or Joni Mitchell and put them in the mid-nineties in the body of an indie rocker. No restrictions here. She just goes with the music. She has no need to change the music with every verse or chorus. There is no emphasis on forcing a particular chorus line on you. The whole song is important and that’s what you should listen to. You don’t want her to change the chorus music in a song like “Shaking Paper” because the music is just cool to begin with.
 
What makes her so important is her delivery. I sometimes feel that musicians who make loud and very heavy rock all the time are just too insecure to strip down and let the real emotions flow through the music. There are no reservations here. Like Dylan, her vocals are sometimes so mumbled that you can’t understand them, but the lyrics that you do hear stand out. You know she’s saying something important. She wouldn’t be singing against one sparse acoustic guitar like she does in “Babydoll”, or an electric guitar in “Keep On Runnin”, or a piano in “Names” if she didn’t hold her lyrics to a higher importance. There is a great sense of a 1960’s songwriter in her.
 
She’s worth your ears because you’ve probably never heard of her before. But she’s crucial to the Indie rock scene. You’ve got your PJ and you’ve got your Liz (before her pop make-over), but Cat Power is Indie that doesn’t need dirty guitars to make it Indie. She just makes beautiful music. Period.
 
She gets bonus points for the title of the album. I get the feeling that she’s not so convinced that you are completely free. The lyrics to “Maybe Not” read like a poetic version of an inspirational self-help book. And yet the song is titled “Maybe Not”. Hum. Think she’s trying to tell us something?

 

Of course she is, it’s why she makes music.

 


sung to open ears at 02:19 pm by RockMistress
9 comments  




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